Free Wi-Fi. Hundreds of channels. A “business center.” In the resort industry, connectivity as a major selling point. And small wonder, since smartphones and laptops normalized the “working vacation” more than a decade ago. But a new breed of hotel caters to those who want less, and are willing to pay for digital seclusion. Among them is Hotel Furillen, a Gotland resort housed in an abandoned limestone quarry.
Furillen was founded in the late '90s by a fashion photographer named Johan Hellstrom, who came across the quarry by accident. Hellstrom and his wife spent a decade converting the abandoned site into a functioning “design hotel,” with 17 rooms housed in concrete bunkers decorated by big-name Scandinavian designers. The couple used reclaimed wood and concrete to build a series of Wi-Fi-free “hermit cabins” nearby, which offer visitors a stripped-down version of the main resort. Furillen has since become popular among eco-tourists who eschew traditional amenities, in search of a more peaceful escape (reviews of the hotel are mixed, and tend to depend on the writer’s tolerance for industrial toilets).
The hotel has unveiled plans to take their lo-fi concept even further later this year, with an even more secluded option for isolation-seekers: triangular wooden huts that contain little else beyond a multi-functional bench and cast-iron stove. Designed by Stockholm-based Jägnefält Milton--who call their concept Black Lodge--the cabins will be hidden on the narrow strip of land between the Gotland forest and the Baltic.
“Considering all the luxury amenities in the resort, we wanted this to be something completely different,” architect Konrad Milton tells Co.Design over email. “Besides a stool, the only furniture is a wooden board that can act both as a table, a bench and a bed.” The one-room cabins will be sheltered by walls of rough-hewn pine cut from the surrounding forest. Visitors can open up the operable wall panels let in light and air, and “you can watch the stars and moon through the oculus,” says Milton.
Black Lodge won’t be for everyone, to be sure. But the architects say they’re prepared for people who decide the experience isn’t for them: Anyone who gets cold feet will be welcomed back to the hotel’s main rooms, no questions asked.
‘Beute’ was created by Michael Wolke for Showraum as a unique piece of functional art. The hanging lamp is made from carefully selected pieces of corrugated cardboard, which are then arranged by texture and color and glued together. Not only do the lamps highlight the hidden beauty of the rough material, but Beute is also biodegradable, recycled and recyclable!
Tradeshows are often induce sensory overload, and design shows are no exception. Every booth and its contents scream for attention—"Over here! Look at me! Touch me! Hear me!" All of it can quickly wear on the senses, and my patience.
Oddly, Dwell on Design—held this past weekend in LA at the Convention Center—felt more calm than most trade shows. Having recently moved from NYC to LA, I am hyper-aware of these differences, but I was surprised at the marked contrast between the Dwell show and ICFF nonetheless. Granted, the two events are incomparable in many ways: ICFF is a huge annual event, overtaking the NYC design scene for days, while Dwell on Design is decidedly more low-key in its intentions and purpose overall. But, whether due to the scale, or general NY/LA differences, it was actually a pleasure to casually walk the show and talk with participants, rather than run around in a frenzy trying to catch it all.
One booth where my senses were actually intrigued and happily engaged was at the A+R Store. The LA shop had a few new, interesting sound design objects for the home, for music and otherwise. Each have a refreshing take on how we hear.
Balance-Wu's loop speaker
Taiwanese designers Balance-Wu's loop speaker is a hollow loop of pressed, recycled paper pulp. The power supply and amp sit in the base, distributing sound through the circular tube, with the paper acting as a filter. The speaker has a rechargeable battery and USB outlet, and connects via an earphone plug. The device is incredibly lightweight, the sound is decent, and the presence of the paper pulp loop is nicely subtle but recognizable as a speaker.
Balance-Wu's loop speaker
Another interesting sound machine in the A+R space was Louise van der Veld's Chick-a-dee Smoke Detector (pictured at top). Inspired by the "canary in a coalmine" story of miners relying on canaries' senses to detect and warn of gas leaks, van der Veld created the American black-capped Chickadee to detect and warn of smoke. After winning the Dutch Association of Insurer's competition for new solutions for fire prevention back in 2006, the design was recently approved for use in US homes.
I first came across David Geckeler's work at BER-JFK, DMY's Noho Design District exhibition for New York Design Week. "Fragment," his three-legged metal chair, stood out with its shiny mint green, powder coated finish and the unusual jagged edges and cast notch marks under the seat. I saw "Fragment" again at DMY, where Geckeler showed it as part of the student show for the University of Arts in Berlin. Two days later I found myself looking at prototypes of that chair and others in his sunny Neukolln studio, where we talked about the philosophy behind Fragment as well as his other designs.
Origins
One of the reasons David is able to make a living as a full-time designer right out of school is because he took a much more conscientious and aggressive approach to his education than most students do. After studying for a year and half at the University of Applied Science in Potsdam, he spent a semester at the Royal Danish Academy of Fine Arts in Copenhagen before returning to Berlin to finish his degree in industrial design at the University of Arts in Berlin.
While his scattered university track record might seem like a less focused approach than simply staying at one place for four years, David purposefully moved from school to school to get a broader perspective. "It wasn't that I didn't like one school," he explained. "It was more that I wanted to try out different schools and different philosophies of teaching." And while he doesn't play favorites it's clear that his semester in Copenhagen was pivotal to his development as a designer. "For me it was really important, this Danish traditional design thinking and what they're doing there nowadays. It's different from Germany. The whole Danish society is so into design. They have a feeling for it."
After his semester in Copenhagen, David decided it was time to head back to Berlin to start up his own design studio to get a few projects underway before graduation. His first product was the "Nord" chair, or Nerd, in English. Though the chair looks more sleek and refined than geeky to me, David explained that "the detail of how the shells stack together is a bit nerdy to [him]." The unique way the backrest fits into the seat is a result of a class assignment from his Copenhagen days. He had eight weeks to design and manufacture a working prototype, and by creating two basic molded plywood forms that fit together without any extra parts he dramatically simplified the process. The Nord chair was awarded a prize by Becker KG, a German manufacturer specializing in molded plywood. The visibility from the award attracted the attention of several design companies, including the Danish brand Muuto, which will launch the Nord chair for contract and commercial buyers this October. David said he worked with Muuto for a full year developing the design, and that "it was important that a Danish brand make this chair because [he] designed it there."
In April, at Cleantech Forum Europe in Munich, I had the pleasure of moderating a panel on this subject, where we discussed some recent and current company case studies, to draw out the very real financing challenges facing growing cleantech companies and some of the possible solutions.
One of my original invitees, Richard McCombs, was unable to be with us that day, but I recently caught up with him and this inspired this interview-style blog post. Richard recently retired as CEO of MBA Polymers. Through that lens we discussed the financing challenges for growth companies with newer technologies, to draw out some tips for the future.
Richard Youngman (RY): MBA Polymers is the global leader in recycling plastics from end-of-life electronics, appliances and automobiles. What has been your experience in financing its growth journey?
Richard McCombs (RMc): When we prepared to build our first commercial scale facility, we realized that we could not meet venture capitalists’ expected returns if we built our facilities with 100% MBA equity. Our first facility was in China. So we structured it as a joint venture with MBA owning >50% and having full management control. We also negotiated that our partner would …
Milk does a body good from the inside out--we know this from those TV commercials that aired in the 1980s--but it’s trying on a whole new identity thanks to Anke Domaske. The German biologist and designer has converted the beloved lactic liquid into Qmilch, a textile--yes, textile--that’s soft as silk, durable as cotton, and incredibly kind to extra-sensitive skin.
Domaske isn’t actually the first to experiment with the physical properties of casein, the phosphoprotein found in milk that can be converted into solids and forms a crucial ingredient in cheese. In addition to forming the base for paints dating back to King Tut’s reign, it also has a significant history as a fabric. “Germans in the 1930s discovered that the protein has the potential to be spun into a fiber, but it was made with formaldehyde,” she tells Co.Design. Italy and the United States each created their own similar materials, but these weren’t particularly hardy and lost appeal once wool rationing was lifted after the war ended. “Over the years, Chinese manufacturers exchanged the formaldehyde for a copolymerization of 75% acrylic and just 25% casein. But the process takes 60 hours and is very resource and water intensive,” she says. There was clearly room for improvement.
“We thought there must be a way to keep a natural resource, such as milk, natural,” she says, and her motivation was equal parts personal and professional. “My stepdad suffered from cancer and received a textile allergy. We were looking for chemical-free fashion but couldn’t find any--even natural fibers are treated with pesticides that cannot be removed completely nowadays.” Domaske developed Qmilch over a few years, using powdered protein direct from dairies, sourced from milk that was otherwise unusable according to the country’s strict regulations (drinkability has no effect on its new incarnation); per the site, the manufacturing process takes about an hour, and uses two liters of water. So when will trendsetters be able to buy the latest frocks from the 1%? “Qmilch is currently delivered to industry partners who will bring their own products to the market when we have our bigger production plant of 1,000 tons per year,” Domaske says. Milk mustaches for all in the meantime, then.
When I mentioned a project by students aiming to build the greenest house in Canada (by means of the Living Building Challenge and LEED Platinum certification), I noted that students planned to use “prefabricated straw bale walls.” It turns out they finished this portion of the project using BioSIPs from NatureBuilt Wall Systems in Ontario, Canada.
These BioSIPS are 16″ thick with an insulation value of about R35. The walls consist of tightly-packed straw that’s covered in 1″ of cement and lime plaster, according to NatureBuilt.
With the high level of insulation and thermal mass of these walls, NatureBuilt indicates that a homeowner can save money on heating and cooling costs, particularly through the specification of a smaller HVAC unit.
In terms of installation, BioSIPs can be unloaded with a boom truck or crane in about one day, and the actual work to attach the walls to the foundation takes maybe a couple days. Endeavour Centre students shared the process of making BioSIPs and installing BioSIPs online, in case you’re interested in reading more detail.
by: Design 4 Sustainability, 2012-06-30 13:01:04 UTC
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